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[wpcol_1third id=”” class=”” style=””]1080i [/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]High-definition, interlaced footage recorded at 1928×1090 pixels.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]1080p[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]High-definition, progressive footage recorded at 1920×1080 pixels.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]16:9[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Aspect ratio of high-definition footage; a wide, rectangular-shaped image.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]24p[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Footage recorded at 34 frames per second progressive; also called 23.976[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]25p[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Footage at 25 frames per second in progressive.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]29.97[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Footage at 29.97 frames per second.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]2k  [/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]2000 lines of resolution; standard format for projects intended for film output.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]4:3[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Square aspect ratio of standard-definition footage.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]4k [/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]4,000 lines of resolution; 4096×2304.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]60i[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Footage recorded as 60 interlaced fields per second.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]A/D converter[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Analogue to digital converter, for digitizing analogue audio or sound into a digital format.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]ADR [/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Automated Dialogue recording, recording dialogue in postproduction to replace production audio; also referred to as looping.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]ASA[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]American Standers Association measurement used to classify the speed of a negative film stock or the sensitive of a digital image sensor, often used side by side with ISO.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]ASC[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]America Society of Cinematographers, A Hollywood-based Guild for distinguished Directors of Photograph; also published American Cinematographer Magazine.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Aspect ratio[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””] The width of an image divided by its height.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]B Camera[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]An auxiliary camera shooting at the same time as the main unit camera; its footage is often referred to as b-roll.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Bitrate[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]The amount of digital data being processed during a given time period.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Block [/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]To determine the geography and desired angles for a scene.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Bluray[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]A high-definition, recordable disc format developed by Sony[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Breathing[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Visible wobbling on the edges of the frame; happens as the lens focus is changed; typically more apparent with lower-quality lenses.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]CF card[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]CompactFlash memory card.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Chroma[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]The colour portion of a video signal.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Cineon[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]The image file format developed by Kodak for digital intermediates.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Clapper sticks[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””] Wooden of plastic slate with production information and two sticks that come together at the start of a take to help assist with post-production audio assist.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]CMOS[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Complementary Metal-Oxide-Semiconductor chip.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Codec[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Compression/decompression’ a specific algorithm for compressing video or audio.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Colour space[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]A method of mathematically representing colour for use with a specific display or medium.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Colour temperature[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]A method of describing the colour characteristics of light source.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Cutlist[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]A list of hosts used in an edited to be pulled from negative film rolls.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]D5 [/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””] A professional digital videotape format developed by Panasonic; available in standard and high definition.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]DAT[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Digital Audio Tape, used for recording production sound.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]DCP[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Digital Cinema Package, a format used for digital files intended for theatrical exhibition.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Debayer[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]The mathematical process of interpreting raw image data from a sensor back into a full-colour image.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]DI [/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””] Digital Intermediate; the process of digitally colour correcting footage for final output.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Digibeta[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Digital Betacam tape, a standard-definition tape format developed by Sony.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]DNxHD[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Avid’s high-definition post-production codec.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]DP[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Director of Photography or Cinematographer.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]DPX [/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Digital Picture Exchange, an image file format for use in a digital intermediates.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]DSMC[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Digital Still & motion Camera, RED’s concept of cameras that are capable of functioning as a still camera and motion pictures camera.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]DV[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Digital Video, a compression codec used to digitally capture and store standard definition video.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]EDL[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Edit Decision List, a film format for exchanging completed edit sequences between NLEs and other postproduction software.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]ENG[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]A term used to indicate the individual or team involved in Electronic News Gathering; documentary and news productions are often referred to as ENG crews.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]eSATA[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]External SATA harddrive.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]EVF[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Electronic Viewfinder.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Firmware[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]User-upgradable on-board software[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Focus-puller[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Crew member who manually adjusts lens focus during a shot.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Gain[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Elect

ronically amplify an audio signal or brighten an image.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Gamma[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””] Mathematical method of calibrating an images brightness values for use with different displays..[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Grade[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Colour correct an image.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]HD[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]High Definition footage has a resolution of 1280×720 pixels or 1920×1080 pixels.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]HDCAM[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]A high-definition tape format developed by Sony; originally intended as an HD version of Digital Betacam.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]HDMI[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]High-Definition Multimedia Interface, widely adopted on consumer and prosumer video monitors and accessories.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]HD-SDI[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]High-Definition Serial Digital Interface for monitoring.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Histogram[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””] An analysis graph of image exposure.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Interlace [/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Footage stored as overlapping half-frames referred to as fields.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Latitude[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]The range of brightness and/or colour values within an image; also a measurement of an images sensor’s sensitive.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Linear[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]A method of expressing Values of colour and brightness equally across and entire range of altitude.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]LOG[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Logarithmic, a method of expressing brightness and colour values on a curve.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]LTO[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Linear Tape-Open, a digital tape format used to achieve data.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]LUT[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]LookUp Table, a set of instructions used to profile colour and gamma to simulate their appearance on a given medium, such as an HD display or a specific film stick.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Megapixel [/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]One million pixels, a term used to describe the size of a digital image sensor.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Metadata[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Footage attributes.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]NAB[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]National Association of Broadcasters convention in Las Vegas.  Where camera and other media making manufactures debut new technologies.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]NLE [/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””] Nonlinear Editor, such as Avid Media Composer, Adobe Premiere Pro and Final Cut Pro.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]NTSC[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]National Television System Committee, 29.97 frames per second, standard definition analog television format used more in North America and Japan.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]PAL[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Phase Alternating Line, 25 frames per second, standard–definition analog television format used more in Europe.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Pixel[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]The smallest component of a digital image.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]PL mount[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Positive-lock lens mount developed by ARRI.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Post-production[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Activity that occurs on a project after principal photography.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]POV[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Point OF View, a shot taken directly from a character’s perspective.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Prime lens[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]A lens with a fixed focal length.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Progressive[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Footage stored as discrete frames.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]ProRes[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Apple’s High quality post-production codec.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]QuickTime[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Apple’s video format and player; used the .mov file extension.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]R3D[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””] RED’s native recording format for footage.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]RAID [/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Redundant Array of Independent Disks, a linked set of multiple hard drives for storing data with higher performance and reliability than a single hard-drive.n[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]RAW[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Unprocessed image sensor data enabling extensive post production manipulation[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]RTEC 709n[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]The display standards used for high-definition television signals.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]REDCODE[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]RED’s proprietary compression codec.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]RGB[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Colour data separated into RED, Green, and Blue channels for viewing on a display.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]S35[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Image sensor comparable in size to a Super 35mm frame.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]SATA [/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Serial ATA hard drive, used for high-speed data transfer; eSATA is the external version[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]SD[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Standard-Definition Footage has a resolution of 720×480 pixels or 720×576 pixels.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]SMPTE[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Society of Motion Picture and Television Engineers, a group of standards to define common media production signals.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Solid State Drive (SSD)[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]A memory card or hard drive with no moving parts.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Sync[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Synchronization, typically between separately recorded picture and sound.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Timecode[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Method of counting individual frames of recorded footage, used to determine shooting formats as well as ensure audio/video synchronization.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Transcode[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Convert video or audio data from one codec, resolution, and/or format to another.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]T-stopn[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””] Measurement of a motion-picture camera lens’ aperture; referred to as F-stop on still-camera lenses.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]USB[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Universal Serial Bus connector used on hard drives and many other computer peripherals[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Video village[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Location where a DP sets up production monitors for viewing by the director and crew.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]XLR[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]A connector often used for audio peripherals; three-pin for audio, four-pin for power.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]XML[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Extensible Markup Language, a customizable file format used to exchange data between post-production applications.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Zebra[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””] A customizable striped pattern appearing in the EVF or monitor to indicate areas of an image falling within a defined exposure range.[/wpcol_2third_end] [wpcol_1third id=”” class=”” style=””]Zoom lens [/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]A lens with variable focal length.[/wpcol_2third_end]

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